Spent some more time this last weekend at the studio. Now we're getting to the tail end of the recording process, we're recording with Rob Stroup at 8-ball studios, in Portland.
Thursday night I drove down from Seattle, and rested up for Friday. Friday was a ton of fun - I got to play a Leslie organ/speaker for the first time. They way they recorded it is by pointing mics at the back of the leslie speaker, and then turning the volume WAY UP (by way of volume pedal) so that the signal would be loud enough that the mechanical noise wouldn't show up on the recording.
This was my first time at playing an organ like this and it was a bit embarrassing that I couldn't even make the classic organ glissando sound quite right at first. The sound was also so loud that it took a bit for me to calibrate, I had to remind myself not to be tentative. But soon enough it started coming together. Jake Oken-Berg was there next to me and was stomping on the pedal button that turns the vibrato on and off while I was playing, a true collaborative effort! I had Jake also take over and play organ on a couple of the parts while I did the bridge and the last few choruses.
After that it was cello time. Skip vonKuske came over and did a great job - from solo lines, to layering, to some tremolo stuff on the song of mine that Jake is doing his own arrangement for.
After the cello, it was time for me to finish recording the piano part for Damn My Eyes. We've gone back and forth on this song a few times, there was some concern that it would sound too "classic jazz", but that was never really the direction I intended for it. We made a couple of short cuts, and over the last week I had been working on a piano part that sounds more intentional, and a hell of a lot more aggressive. I love it now, and for the first time I even think the song works live as just voice/piano - I'm looking forward at trying it out at an open mic sometime. Anyway, it works really well with the bass and drums now, and I'm looking forward to hearing how it shapes up after we finish layering.
We ended the day with me doing some lead singing - finally! It was funny a couple of times because I'm so used to singing at the piano that it felt alien to sing standing up. I had Rob change the mic a couple of times until I finally decided that standing up was better so I could have more breath. We ended with Not Today and I felt really locked in on it, to the point that I was demanding to sing more takes after we were done just because I was enjoying it so much.
Day Two of the weekend was all about the guitar. Guitar is an instrument I haven't really been able to wrap my head around for these songs, but that's where Jake and Rob were very helpful. We had Bob Dunham in to do the guitar, he brought along about fifty thousand guitar pedals, and we basically just experimented all day. It might be that we strip down some of the choices later in the editing/mixing stages, but I think a lot of the material and choices work really well, and Bob did a great job.
What's left? Well, there's more organ to do... a couple of specialty instruments, the possibility of some string playing, and then just a whole lot of singing. We're definitely in the fun stages and I'm realizing that I absolutely love the recording process, at least when I'm on mic. It's even more fun than the gigging and the rehearsing, although I have to say that there's still nothing that tops the feeling of playing through a new completed song for the first time. Writing is painful, but the sense of victory you get at the end, that's really something else.
Still definitely on track for 2011 being the year of the cd release. More later!